{"id":891,"date":"2020-03-03T15:23:48","date_gmt":"2020-03-03T15:23:48","guid":{"rendered":"http:\/\/amandioanastacio.de\/?p=891"},"modified":"2020-05-07T07:48:28","modified_gmt":"2020-05-07T07:48:28","slug":"a-boa-sentenca-do-sultao","status":"publish","type":"post","link":"https:\/\/amandioanastacio.de\/de\/a-boa-sentenca-do-sultao\/","title":{"rendered":"A BOA SENTEN\u00c7A DO SULT\u00c3O"},"content":{"rendered":"\t\t
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A BOA SENTEN\u00c7A DO SULT\u00c3O<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cPoetry is an awareness of the world\u201d<\/p>

Andrei Tarkovsky<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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MY ROLE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CREATION<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ARTISTIC DIRECTION <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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SCENOGRAPHY<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ABOUT<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A BOA SENTEN\u00c7A DO SULT\u00c3O<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Version of Ildeberto Gama, from Contos para a\u00a0Inf\u00e2ncia (Stories for Childhood), of Guerra\u00a0Junqueiro, Typographia Universal edition, Lisbon,\u00a01877.<\/p>

As a starting point, the work process for this play\u00a0has some texts dedicated to childhood published\u00a0in 1877 by Guerra Junqueiro, a poet pamphleteer
whose poetry helped to create the revolutionary\u00a0environment that would lead to the establishment\u00a0of the Republic on 5 October 1910.\u00a0Guerra Junqueiro was part of the so-called 70\u2019s\u00a0Generation that purported to want to make\u00a0Portugal beat to the rhythm of European\u00a0modernity, with the matters of an educational,\u00a0teaching and academic nature not being\u00a0forgotten, and the publication of Contos para a\u00a0Inf\u00e2ncia constitutes his positive contribution to\u00a0\u00abPrimary Education\u00bb. Junqueiro understood and\u00a0conveyed the need to invest in the childhood\u00a0universe through a fun and libertarian education\u00a0that harmonises children with nature, awakening\u00a0their senses without sterilising their free and\u00a0creative spirit.<\/p>

Thus, in a period in which we live under the\u00a0spectrum of the degradation of the basic\u00a0conditions of vast layers of the population \u2013 and\u00a0childhood, in its natural fragility, is in the front line\u00a0of those who suffer the consequences \u2013 it makes
perfect sense for us to address these matters with\u00a0the care that we are obliged to put into all projects.\u00a0To emphasise the aforementioned aspects,\u00a0knowing that the puppet is a privileged instrument\u00a0for communication with children, we have chosen\u00a0the Shadow Theatre. It is a technique that has the\u00a0capability of captivating and interacting with\u00a0children, whilst maintaining openness for an\u00a0intergenerational environment that, from our point\u00a0of view, is the ideal situation for the development\u00a0of their cognitive capacities and growth.
A Narrator tells two of the stories of Guerra\u00a0Junqueiro. He is in a frontal position facing the\u00a0audience and behind him, above his head, there is\u00a0a screen. He does the presentation, he introduces\u00a0the characters and he describes the context of the\u00a0action narrated in indirect discourse. Whenever he\u00a0moves onto direct discourse, he manipulates small\u00a0figures cut over the glass of an overhead projector\u00a0that is in front of him and that are projected onto\u00a0the aforementioned screen. He has the help of a\u00a0technician sat beside him who passes him the\u00a0shadows and plays musical separators that\u00a0emphasise the action and help in the passing of\u00a0the narration onto the direct discourse.
The narration\/action concludes with the\u00a0traditional exclamation: \u201cVictory! Victory, that\u2019s the\u00a0end of the story\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CAST AND CREW<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Staging<\/b>\u00a0| Ildeberto Gama<\/p>

Production<\/b> | \u00a0Teresa Mendes<\/p>

Performer and Puppeter <\/b>|\u00a0Susana Nunes<\/p>

Production Assistant <\/b>|\u00a0Alexandra Anast\u00e1cio<\/p>

Puppets<\/b> |\u00a0Ildeberto Gama<\/p>

Scenic Devices<\/b> |\u00a0Am\u00e2ndio Anast\u00e1cio<\/p>

Music<\/b> |\b Jo\u00e3o Bastos<\/p>

Puppet Construction<\/b> |\u00a0Ildeberto Gama and Susana Malh\u00e3o\u00a0with the support of Paulo Pereira<\/p>

Light and Sound Operator<\/b> |\u00a0Jo\u00e3o Sofio<\/p>

Artistic Director<\/b> | Am\u00e2ndio Anast\u00e1cio<\/p>

Supported by<\/b> |\u00a0Munic\u00edpio de Montemor-o-Novo<\/p>

Organization funded by<\/b> |\u00a0DGARTES – Dire\u00e7\u00e3o Geral das Artes and the Portuguese Government<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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A BOA SENTEN\u00c7A DO SULT\u00c3O \u201cPoetry is an awareness of the world\u201d Andrei Tarkovsky VIEW PROMO BOOK THIS SHOW MY ROLE CREATION ARTISTIC DIRECTION SCENOGRAPHY ABOUT A BOA SENTEN\u00c7A DO SULT\u00c3O Version of Ildeberto Gama, from Contos para a\u00a0Inf\u00e2ncia (Stories for Childhood), of Guerra\u00a0Junqueiro, Typographia Universal edition, Lisbon,\u00a01877. As a starting point, the work process […]<\/p>\n","protected":false},"author":1,"featured_media":687,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"yoast_head":"\nA BOA SENTEN\u00c7A DO SULT\u00c3O - Am\u00e2ndio Anast\u00e1cio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/amandioanastacio.de\/de\/a-boa-sentenca-do-sultao\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A BOA SENTEN\u00c7A DO SULT\u00c3O - Am\u00e2ndio Anast\u00e1cio\" \/>\n<meta property=\"og:description\" content=\"A BOA SENTEN\u00c7A DO SULT\u00c3O \u201cPoetry is an awareness of the world\u201d Andrei Tarkovsky VIEW PROMO BOOK THIS SHOW MY ROLE CREATION ARTISTIC DIRECTION SCENOGRAPHY ABOUT A BOA SENTEN\u00c7A DO SULT\u00c3O Version of Ildeberto Gama, from Contos para a\u00a0Inf\u00e2ncia (Stories for Childhood), of Guerra\u00a0Junqueiro, Typographia Universal edition, Lisbon,\u00a01877. 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